ハンス・ホルバイン: ダルムシュタットの聖母
![reasonator:Q455319](https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Wikidata-Reasonator_small_logo.svg/5px-Wikidata-Reasonator_small_logo.svg.png) |
作者 |
ハンス・ホルバイン
(1497/1498–1543) |
![ハンス・ホルバイン](https://upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Hans_Holbein_the_Younger%2C_self-portrait.jpg/120px-Hans_Holbein_the_Younger%2C_self-portrait.jpg) |
別名 |
Hans Holbein der Jüngere, Hans Holbein |
説明 |
-ドイツの 画家および製図工 |
生年月日・没年月日 |
1497年または1498年 date QS:P,+1497-00-00T00:00:00Z/8,P1319,+1497-00-00T00:00:00Z/9,P1326,+1498-00-00T00:00:00Z/9 |
1543年10月7日と1543年11月29日の間 date QS:P,+1543-00-00T00:00:00Z/9,P1319,+1543-10-07T00:00:00Z/11,P1326,+1543-11-29T00:00:00Z/11 |
出生地・死没地 |
アウクスブルク |
ロンドン |
活動拠点 |
バーゼル (1515-1526), ルツェルン (1515-1526), ヴェネツィア (1515), ボローニャ (1515), フィレンツェ (1515), ローマ (1515), ヴェネツィア (1517-1518), ボローニャ (1517-1518), フィレンツェ (1517-1518), ローマ (1517-1518), ロンドン (1526-1528), バーゼル (1528-1532), ロンドン (1532-1543) |
典拠管理 |
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artist QS:P170,Q48319 . Uploaded by qp10qp. |
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タイトル |
label QS:Les,"Virgen del burgomaestre Meyer"
label QS:Lja,"ダルムシュタットの聖母"
label QS:Lfr,"La Vierge et l'Enfant avec la famille du bourgmestre Meyer"
label QS:Lhr,"Darmstadtska Gospa"
label QS:Lca,"Darmstadt Madonna"
label QS:Lko,"다름슈타트 마돈나"
label QS:Lru,"Дармштадтская мадонна"
label QS:Larz,"دارمشتات مادونا"
label QS:Lde,"Darmstädter Madonna"
label QS:Lvi,"Darmstadt Madonna"
label QS:Len,"Darmstadt Madonna"
label QS:Lgsw,"Darmstädter Madonna"
label QS:Lit,"Madonna di Darmstadt" |
分野 |
絵画作品 ![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
ジャンル |
宗教美術 ![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
解説 |
English: Darmstadt Madonna (Madonna of Mayor Jakob Meyer zum Hasen). Limewood, 146.5 ×102 cm, Schlossmuseum, Darmstadt.
Holbein painted the first stage of this work for Jakob Meyer, one of his most important patrons and former mayor of Basel, before he left for England in 1526; he worked again on the painting after returning to Basel in 1528, adding details such as the headdress of Meyer's daughter, Anna, bottom right, representing her betrothal.
By the time this work was painted, the staunchly Catholic Meyer was yesterday's man in Basel, which was coming increasingly under the influence of the Reformation. Holbein was seemingly compliant with the reformers' principles, and this work represents his last orthodox Marian image. The style is a mixture of the realism of early Netherlandish and German painting and, in the treatment of the boys and of the madonna and child, an Italian idealisation. The piece also functions as an epitaph in the Northern tradition. It takes the form of a Madonna of Mercy, a Schutzmantelmadonna, who covers Meyer with a mantle of protection and stands within a scalloped niche. Scholars are divided on whether the boys on the left represent real family members or idealised figures; but it is believed that the three figures on the right are Meyer's first wife, Magdalena Baer (died 1511); second wife, Dorothea Kannengiesser; and daughter Anna. In the view of art historian Jochen Sander (Müller, p. 341): "By combining the most diverse pictorial formulas, and by connecting lifelike portraits with idealised holy figures, in its stupendous handling of the surface and its masterly colourism, this painting belongs among the undisputed masterworks of sixteenth-century European painting".
References
- Oskar Bätschmann & Pascal Griener, Hans Holbein, London: Reaktion Books, 1997, ISBN 1861890400, p. 145.
- Stephanie Buck, Hans Holbein, Cologne: Könemann, 1999, ISBN 3829025831, pp. 76–82.
- Christian Müller; Stephan Kemperdick; Maryan Ainsworth; et al, Hans Holbein the Younger: The Basel Years, 1515–1532, Munich: Prestel, 2006, ISBN 9783791335803, pp. 338–41.
- Derek Wilson, Hans Holbein: Portrait of an Unknown Man, London: Pimlico, Revised Edition, 2006, ISBN 9781844139187, pp. 160–61.
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描画された人物 |
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日付 |
1525/26 and 1528 |
技法 |
油彩およびシナノキ(ボダイジュ) ![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
寸法 |
高さ: 146.5 cm ;幅: 102 cm ![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) dimensions QS:P2048,+146.5U174728 dimensions QS:P2049,+102U174728 |
所蔵者 |
私蔵 institution QS:P195,Q768717
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所蔵 |
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台帳番号 |
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被写体の位置 |
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製作された場所 |
バーゼル ![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png) |
作品の来歴 |
- 1526年: in collection of Jakob Meyer zum Hasen
![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png)
- 2011年7月12日: sale of the collection of
![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png)
- 1822年: in collection of ヴィルヘルム1世
![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png)
- 1822年: sale of the collection of
![ウィキデータを編集](https://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png)
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参考文献 |
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典拠管理 |
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情報源/撮影者 |
Christian Müller; Stephan Kemperdick; Maryan Ainsworth; et al, Hans Holbein the Younger: The Basel Years, 1515–1532, Munich: Prestel, 2006, ISBN 9783791335803. |
その他のバージョン |
![](https://upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Darmst_linien.jpg/80px-Darmst_linien.jpg) ![](https://upload.wikimedia.org/wikipedia/commons/thumb/f/fd/Darmstaedter-Madonna-golden-ratio.jpg/80px-Darmstaedter-Madonna-golden-ratio.jpg) |