ノート:エレニの帰郷

Screen International

撮影と製作費については、「The arduous four-month shoot started in 2007 with locations in Russia, Kazakhstan, Canada, the US, Germany, Italy and Greece.」「Co-producing partners in the $13m (Euros 8.3m) budget include German Claudia Popsel's Licht Meer, Russian Studio 217, plus such long time co-producers as Italian Amedeo Pagani's Classic Films and French Erik Hyman's Paradis Films.」[1]を情報源として用いています。

批評については、「Following the same characters for over 50 years inevitably poses casting issues, which Angelopoulos sometimes circumvents by putting the camera behind his characters, but this isn’t always a satisfactory solution. With the best will in the world, and despite their committed and sincere performances, Irene Jacob and Willem Dafoe never look like mother and son. Michel Piccoli does provide a powerfully authoritative presence, however, and Bruno Ganz towers over them all in one of his best performances ever.」「In his sixth film for Angelopoulos, Andreas Sinanos displays a complete understanding of the type of imagery required, from framing and colour composition to camera movements; art and production design is remarkable; and the music from Eleni Karaindrou (with some help from Tchaikovsky, Catalani, Bach and Beethoven) plays a decisive part in establishing the mood.」[2]を情報源として用いています。

『Screen International』のウェブサイトの記事は、全文が表示されるときもあれば、「CONTINUE READING – SIMPLY SUBSCRIBE BELOW」としか表示されないときもあるので、一応、ここに書いておきます。--123.224.206.196 2015年3月16日 (月) 19:42 (UTC)