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Minor seventh Minor seventh on C.mid Play[ヘルプ/ファイル] equal tempered or Greater just minor seventh on C.mid just[ヘルプ/ファイル].

In classical music from Western culture, a seventh is a musical interval encompassing seven staff positions, and the minor seventh is one of two commonly occurring sevenths. It is qualified as minor because it is the smaller of the two: the minor seventh spans ten semitones, the major seventh eleven. For example, the interval from A to G is a minor seventh, as the note G lies ten semitones above A, and there are seven staff positions from A to G. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve).

Minor seventh intervals are rarely featured in melodies (and especially in their openings) but occur more often than major sevenths. The best-known example, in part due to its frequent use in theory classes, is found between the first two words of the phrase "There's a place for us" in the song "Somewhere" in West Side Story.[1] Another well-known example occurs between the first two notes of the introduction to the main theme music from Star Trek: The Original Series theme.[2]

The most common occurrence of the minor seventh is built on the root of the prevailing key's dominant triad, producing the all-important dominant seventh chord.

Consonance and dissonance are relative, depending on context, the minor seventh being defined as a dissonance requiring resolution to a consonance.[3]

In other temperaments[編集]

In just intonation there is both a 16:9 "small just minor seventh", also called "Pythagorean small minor seventh",[4] (Lesser just minor seventh on C.mid Play[ヘルプ/ファイル]) and a 9:5 "large just minor seventh" (Greater just minor seventh on C.mid Play[ヘルプ/ファイル]).[5][6] An interval close in frequency is the harmonic seventh.[7]

See also[編集]

Sources[編集]

  1. ^ Neely, Blake (2009).
  2. ^ Keith Wyatt, Carl Schroeder, Joe Elliott (2005).
  3. ^ Benward & Saker (2003).
  4. ^ "On Certain Novel Aspects of Harmony", p.119.
  5. ^ "The Heritage of Greece in Music", p.89.
  6. ^ Partch, Harry (1979).
  7. ^ David Dunn, 2000.