利用者:LION84/作業スペース

アリソン・クラウス
2007年ノースカロライナ州の音楽祭にて
基本情報
生誕 (1971-07-23) 1971年7月23日（52歳）
アメリカ合衆国イリノイ州ディケーター
職業 歌手、作曲家、音楽プロデューサー、バンドリーダー
担当楽器 ヴォーカル、フィドル、ヴィオラ
活動期間 1984年–現在
レーベル ラウンダー・レコード
共同作業者 ユニオン・ステーション（専属バンド）、ロバート・プラント、ロンダ・ヴィンセント（英語版）、ドリー・パートン、ブラッド・ペイズリー、リッキー・スカッグス（英語版）、ヴィンス・ギル
公式サイト AlisonKrauss.com（英語）

アリソン・クラウス（英:Alison Krauss、1971年7月23日 - ）はアメリカ合衆国のブルーグラス・カントリー・ミュージックの歌手、作曲家、フィドル奏者。若い頃から音楽業界で活動しており、10歳のときに地方のコンテストに入賞、14歳で初のレコーディングに臨んだ。1985年にラウンダー・レコードと契約し、1987年には初のソロアルバムをリリースした。その後、バンドからの招待を受けて、アリソン・クラウス・アンド・ユニオン・ステーション（Alison Krauss and Union Station, AKUS）として活動するようになり、1989年にグループとして初のアルバムをリリースした。

これまでに11タイトルのアルバムをリリースし、多くのサウンドトラックにも参加するなど、アメリカにおけるブルーグラスの発展に寄与してきた。サウンドトラック『オー・ブラザー!（英語版）』はアメリカ国民のブルーグラスへの関心を高めたとされ、これを含むサウンドトラックへの参加は自身の人気獲得にも繋がった。また『コールド マウンテン（英語版）』は第76回アカデミー賞における演奏へと繋がった。彼女はこれまでにグラミー賞を26回受賞しており、これは女性アーティストとしては歴代最多（全体的に見ても3位）である[1]。

経歴[編集]

イリノイ州ディケーターで、ミシシッピ州コロンバス (ミシシッピ州)出身の両親のもとに誕生。その後、イリノイ州のシャンペーンで幼少期を過ごす。5歳になるとクラシックヴァイオリンを始めるが、すぐにブルーグラスへ転向した。クラウスは音楽に関心を持ったきっかけについて、「母は私が興味を持てることを見つけようと躍起になっていた」「私が芸術やスポーツに加えて音楽にも関心を持つことを望んでいた」と母の影響であることを述べている[2]。8歳になると地元のタレントショー（英語版）に応募を始め、10歳になる頃には自身のバンドも有していた。13歳のときにウォルナット・バレー・フェスティバル（英語版）（カンザス州ウィンフィールドで開催されるブルーグラス中心の音楽祭）のフィドル選手権で優勝し[3]、アメリカブルーグラス保存協会（the Society for the Preservation of Bluegrass in America）は中西部一有望なフィドル奏者と彼女を称した。ダン・タイミンスキー（英語版）とは1984年頃の協会主催のフェスティバルで初めて顔を合わせた。それ以外のユニオン・ステーション（Union Station）のメンバーともいずれもこれらのフェスティバル会場で知り合った[4]。

1985年–1991年: 活動初期[編集]

1985年、兄のヴィクトル、スワンプ・ワイス、ジム・ホイルズをフィーチャーしたアルバム『ディファレント・ストロークス（英語版）』でレコーディング・デビューを果たす。彼女は12歳の頃より、バンドシルヴァー・レール（Silver Rail）に所属するベーシストやソングライターのジョン・ペンネルと共に演奏を行っていた[要出典]。ペンネルは後にユニオン・ステーションを結成し[5]、クラウスは彼の招待を受けて、それまでのフィドル奏者アンドレア・ゾン（英語版）と入れ代わる形でバンドに参加することになった[6]。ペンネルは、クラウスの気に入っているソングライターの中のひとりであり[7]、彼女の定番曲となっている『エブリ・タイム・ユー・セイ・グッドバイ』（Every Time You Say Goodbye）を含んだ、初期の作品のいくつかを提供した。

その年（1985年）の終わり頃にラウンダー・レコードと契約を交わし、1987年、16歳のときにユニオン・ステーションをバックアップ・バンドに迎えたソロデビューアルバム『トゥ・レイト・トゥ・クライ（英語版）』をリリースした[8]。

その後続いて1989年にはユニオン・ステーションとの初グループアルバム『ツー・ハイウェイズ』（Two Highways）も発売された[9]。このアルバムには、ワイルド・ビル・ジョーンズやバーモント・ラグなどの伝統的な楽曲に加え、オールマン・ブラザーズ・バンドの『ミッドナイト・ライダー（英語版）』にブルーグラスの解釈を加えたものも収録されている。アリソン・クラウス・アンド・ユニオン・ステーションはその後に同年のニューポート・フォーク・フェスティバル（英語版）（ロードアイランド州ニューポートで開催される音楽祭）にも出場した[要出典]。

クラウスとラウンダー・レコードが結んだ契約では、ソロアルバムとユニオン・ステーションとの共同アルバムを交互にリリースすることになっており、1990年にはソロアルバム『アイヴ・ゴット・ザット・オールド・フィーリング（英語版）』を発売した。このアルバムは、自身初のビルボード・チャート（英語版）入りを達成し、最高時にはホット・カントリー・ソング（英語版）のトップ75にも入った。また、このアルバムにより自身初のグラミー賞を獲得したということも特筆すべき点であり、シングル曲『スチール・レールズ』（Steel Rails)は初めてビルボードに載ったシングル作品、タイトルシングル『アイヴ・ゴット・ザット・オールド・フィーリング』（I've Got That Old Feeling）は初めてミュージック・ビデオが製作された作品である。

1992年–1999年: 成功期[編集]

アリソン・クラウス・アンド・ユニオン・ステーション
名前 担当楽器
アリソン・クラウス リードヴォーカル、フィドル、ヴィオラ
Larry Atamanuik ドラム、パーカッション
バリー・ベールズ（英語版） ベース
ロン・ブロック（英語版） ギター、バンジョー
ジェリー・ダグラス ドブロ・ギター
ダン・タイミンスキー（英語版） ギター、マンドリン

1992年にクラウスとユニオンステーションとの2作目のグループアルバム『エヴリタイム・ユー・セイ・グッドバイ（英語版）』をリリースし、この作品がグラミー賞の年間最優秀ブルーグラスアルバムに選出されて、自身2度目のグラミー賞受賞を果たした。1993年21歳のときグランド・オール・オプリに出演した[9]。当時クラウスは最年少の出演者であり、過去29年間で初のブルーグラスアーティストのオプリ参加者であった[要出典]。また、1994年にはザ・コックス・ファミリー（英語版）とのコラボレーション企画であるブルーグラスアルバム『アイ・ノウ・フー・ホールズ・トゥモロー（英語版）』にも参加した。同年、マンドリンとギターの奏者であるダン・タイミンスキー（英語版）がティム・スタッフォード（英語版）と入れ替わりでにユニオン・ステーションに加入。同年の後半、クラウスはバンドシェナンドー（英語版）と共同でシングル曲『サムウェア・イン・ザ・ヴィクトリー・オブ・ザ・ハート（英語版）』のレコーディングを行い、この作品で彼女は初のカントリーミュージックトップ10入りを果たした。また同年は、レッド・ホット・オーガニゼーション（英語版）がプロデュースしたエイズチャリティーアルバム『レッド・ホット＋カントリー（英語版）』に『ティーチ・ユア・チルドレン』という曲を提供し、スージー・ボガス（英語版）、キャシー・マティア（英語版）、クロスビー、スティルス、ナッシュ&ヤングとコラボレーションした。

『ナウ・ザット・アイヴ・ファウンド・ユー：ア・コレクション（英語版）』は、以前にリリースした楽曲のコンピレーションやクラウスが気に入っている他のアーティストの楽曲のカバーを収録し、1995年に発売された。これらのカバー曲の中には、バッド・カンパニーの『オー・アトランタ』（Oh Atlanta）、オーストラリアでヒットしたコメディ映画『ザ・キャッスル』で使用されたザ・ファウンデーションズ（英語版）の『ベイビー、ナウ・ザット・アイヴ・ファウンド・ユー（英語版）』、そしてビートルズの『アイ・ウィル』が含まれる[10]。中でもキース・ウィットレイ（英語版）の『ホエン・ユー・セイ・ナッシング・アット・オール（英語版）』のカバーはビルボード・カントリー・チャートのトップ5を達成し[要出典]、アルバム自体もBillboard 200の全ジャンル部門でトップ15を達成し、200万枚を売り上げたことも評価されて自身初のアメリカレコード協会のダブル・プラチナ・ディスク認定を受けた[要出典]。また、クラウスはカントリー・ミュージック協会賞（英語版）で4部門にノミネートされ、それらを全て受賞した[要出典]。

『ソウ・ロング・ソウ・ロング（英語版）』は、1997年に発売したユニオン・ステーションとの共同アルバムで、グラミー賞の最優秀ブルーグラスアルバムに選ばれた。この作品のサウンドについてある評論家は「既存のものとはかなり異っている」「多くの人がブルーグラスに対する考え方を改めたのではないだろうか」と語った[11]。このアルバムには『イット・ダズント・マター（英語版）』という楽曲が含まれており、この楽曲はドラマ『バフィー 〜恋する十字架〜』のセカンドシーズンの第1話で使用された[12]ほか、1999年に発売したこのドラマのサウンドトラックにも収録された。

次のソロでのアルバム作品は1999年に発売の『フォーゲット・アバウト・イット（英語版）』で、このアルバムにはビルボードのアダルト・コンテンポラリーチャート入りを果たした2曲のうちの1曲である『ステイ』（Stay）も収録されている[要出典]。このアルバムはゴールド認定も受け、ビルボード200のトップ75、カントリーチャートのトップ5にもランクインした[要出典]。また、収録曲のひとつ『ザット・カインド・オブ・ラヴ』（That Kind of Love）は『バフィー 〜恋する十字架』の中でも使用された[13]。

2000年–現在: 近年の活動[編集]

Adam Steffey left Union Station in 1998, and was replaced with renowned Dobro player Jerry Douglas.[14] Douglas had provided studio back-up to Krauss's records since 1987's Too Late To Cry. Their next album, New Favorite, was released on August 14, 2001. The album went on to win the Grammy for Best Bluegrass Album, with the single "The Lucky One" winning a Grammy as well. New Favorite was followed up by the double platinum double album Live in 2002 and a release of a DVD of the same live performance in 2003. Both the album and the DVD were recorded during a performance at The Louisville Palace and both the album and DVD have been certified double Platinum. Also in 2002 she played a singing voice for one of the characters in "Eight Crazy Nights"

Lonely Runs Both Ways was released in 2004, and eventually became another Alison Krauss & Union Station gold certified album. Ron Block described Lonely Runs Both Ways as "pretty much... what we've always done" in terms of song selection and the style in which those songs were recorded.[要出典] Krauss believes the group "was probably the most unprepared we've ever been" for the album and that songs were chosen as needed rather than planned beforehand.[2] She also performed a duet with Brad Paisley on his album Mud on the Tires in the single "Whiskey Lullaby." The single was quickly ranked in the top fifty of the Billboard Hot 100 and the top five of the Hot Country Songs, and won the Country Music Association Awards for "Best Musical Event" and "Best Music Video" of the year.[要出典]

Krauss recorded a collaborative album, Raising Sand with Robert Plant in 2007 which would ultimately be RIAA certified platinum. Raising Sand was nominated for and won 5 Grammys at the 51st Grammy Awards including Album of the Year, Best Contemporary Folk/Americana Album, and Record of the Year ("Please Read the Letter"). Krauss and Plant recorded a Crossroads special in October 2007 for the Country Music Television network which first aired on February 12, 2008. The pair are currently working on a new album.[15] Alison Krauss has announced a new album release called Paper Airplane with Union Station on April 12, 2011, the follow-up album to "Lonely Runs Both Ways" (2004)

その他の活動[編集]

Alison Krauss on stage with Robert Plant at Birmingham's NIA, 5th May 2008

Krauss has made multiple guest appearances on other records with lead vocals, harmony vocals, or fiddle playing. In 1993 she recorded vocals for the Phish song "If I Could" in Los Angeles.[16] In 1997 she contributed harmony vocals in both English and Irish to Irish traditional band Altan's Runaway Sunday album. She has contributed to numerous motion picture soundtracks, most notably the soundtrack O Brother, Where Art Thou? in 2000. She and co-vocalist Dan Tyminski contributed multiple tracks to the soundtrack, including "I'll Fly Away" (with Gillian Welch), "Down to the River to Pray", and "I Am a Man of Constant Sorrow." [要出典]

In the film, Tyminski's vocals on "I Am a Man of Constant Sorrow" were used for George Clooney's character.[17] The soundtrack sold over seven million copies and won the Grammy for Album of the Year in 2002.[要出典] The unexpected success of the album has been partially credited, as was Krauss herself,[18] with bringing a new interest in bluegrass to the United States. She has said, however, that she believes Americans already liked bluegrass and other less-heard musical genres, and that the film merely provided easy exposure to the music.[19] She did not appear in the movie, at her own request, as she was nine months pregnant during its filming.[20]

In 2007, Krauss released the anthology A Hundred Miles Or More: A Collection which was a collection of soundtrack work, duets with artists such as John Waite, James Taylor, Brad Paisley and esteemed fiddle player Natalie MacMaster, and newer tracks.[要出典] The album was very commercially successful, but was received with a lukewarm reception from critics.[要出典] One of the tracks, "Missing You", a duet with Waite (and a cover of his hit single from 1984), was similarly received as a single.[要出典] On August 11, television network Great American Country aired a one-hour special, "Alison Krauss: A Hundred Miles or More" based on the album and featured many of the album's duets and solo performances.[要出典]

Other soundtracks for which Krauss has performed include Twister, The Prince of Egypt, Eight Crazy Nights, Mona Lisa Smile, Divine Secrets of the Ya-Ya Sisterhood, Alias, Bambi II and Cold Mountain. She also contributed the song "Jubilee" to the 2004 documentary Paper Clips. The Cold Mountain songs "The Scarlet Tide" by T-Bone Burnett and Elvis Costello, and "You Will Be My Ain True Love", by herself and Sting were nominated for an Academy Award, and she performed both songs at the 76th Academy Awards, the first with Costello and Burnett and the other with Sting.[21] She also worked as a producer for Nickel Creek on their debut self-titled album in 2000 and the follow-up This Side in 2002, which won Krauss her first Grammy as a music producer.[要出典]

Reception and influences[編集]

Krauss's earliest musical experience was as an instrumentalist, though her style has grown to focus more on her vocals[9] with a band providing most of the instrumentation. Musicians she enjoys include Lou Gramm of Foreigner and Paul Rodgers of Bad Company.[22][23][24] Krauss' family listened to "folk records" while she was growing up, but she had friends who exposed her to groups such as AC/DC, Carly Simon, The Rolling Stones, Lynyrd Skynyrd, and ELO.[25] She cites Dolly Parton, with whom she has since collaborated a number of times, as a major influence. Some credit Krauss and Union Station, at least partially, with a recent revival of interest in bluegrass music in the United States.[18] Despite being together for nearly two decades and winning numerous awards, she said the group was "just beginning right now" (in 2002) because "in spite of all the great things that have happened for the band, [she] feel[s] musically it's just really beginning."[19] Although she alternates between solo releases and works with the band, she has said there is no difference in her involvement between the two.[20]

As a group, AKUS have been called "American favourites," "world-beaters,"[26] and "the tightest band around."[27] While they have been successful as a group, many reviews note Krauss still "remains the undisputed star and rock-solid foundation" and have described her as the "band's focus"[28] with an "angelic"[27] voice that "flows like honey".[28] Her work has been compared to that of The Cox Family, Bill Monroe, and Del McCoury,[要出典] and has in turn been credited with influencing various "Newgrass" artists including Nickel Creek, for which she acted as record producer on two of their albums.[29] In addition to her work with Nickel Creek, she has acted as producer to the Cox Family, Reba McEntire and Alan Jackson.[30] Adam Sweeting of The Guardian has said Krauss and Union Station are "superb when they stick to hoedowns and hillbilly music, but much less convincing when they lurch towards the middle of the road,"[31] and Blender magazine has said the "flavorless repertoire [Krauss] sings... steers her toward Lite FM".[32] In addition, Q magazine and The Onion AV Club have said their newer releases are "pretty much the usual," and that although Krauss is generally "adventurous," these recent releases contain nothing to "alienate the masses".[33]

Voice, themes, and musical style[編集]

Krauss's vocal range could generally be described as mezzo soprano[要出典] with little to no vibrato: her clear vocals have been described as "angelic".[27] She has said her musical influences include J. D. Crowe, Ricky Skaggs, and Tony Rice.[34] Many of her songs are described as sad,[35] and are often about love, especially lost love. Krauss herself has said of her song selection that she looks for "tunes that [she] can relate to".[要出典] Though she has a close involvement with her group and a long career in music, she rarely performs music she has written herself. She has also described her general approach to constructing an album as starting with a single song and selecting other tracks based on the first, to give the final album a somewhat consistent theme and mood.[20][36] She most commonly performs in the bluegrass and country genres, though she has had two songs on the adult contemporary charts, has worked with rock artists such as Phish[9] and Sting,[21] and is sometimes said to stray into pop music.[6][37]

ミュージック・ビデオ[編集]

ファイル:AKUS Goodbye is All We Have.jpg
The video for "Goodbye is All We Have" shows the group traveling, meeting at a crossroads, playing the song, and walking away together. Alison Krauss Goodbye is All We Have.ogg Audio sample[ヘルプ/ファイル]

Krauss did not think she would make music videos at the beginning of her career, and after recording her first she was convinced it was so bad that she would never do another. Nonetheless, she has gone on to make further videos. Many of the first videos she saw were by bluegrass artists, although Dan Tyminski has noted that the video for Thriller was very popular at the time she was first exposed to music videos. She has made suggestions on the style or theme to some videos, though she tends to leave such decisions up to the director of the particular video. The group chooses directors by seeking out people who have previously directed videos bandmembers have enjoyed. The director for a video to "If I Didn't Know Any Better" from Lonely Runs Both Ways, for example, was selected because Krauss enjoyed work he had done with Def Leppard, and she wondered what he could do with their music. While style decisions are generally left to the various directors of the videos, many —including for "The Lucky One", "Restless", "Goodbye is All We Have", "New Favorite", and "If I Didn't Know Any Better"—follow a pattern. In all of these videos Krauss walks, sometimes interacting with other people, while the rest of the band follows her.[4][5]

Performances[編集]

Krauss has said she used to dislike working in the studio where she had to play the same song repeatedly, but has come to like studio work roughly the same as live stage performances. Her own favorite concert experiences include watching three Foreigner concerts during a single tour, a Dolly Parton concert, and a Larry Sparks concert.[38] She appeared on Austin City Limits in 1992 and opened the show in 1995 with Union Station.[39] The New Favorite tour, after AKUS' album of the same name, was planned to start September 12, 2001 in Cincinnati, Ohio, but was delayed until September 28 in Savannah, Georgia following the September 11 terrorist attacks[40] Krauss also took part in the Down from the Mountain tour in 2002, which featured many artists from the O Brother, Where Art Thou.[41][42] Down from the Mountain was followed by the Great High Mountain Tour, which was composed of musicians from both O Brother and Cold Mountain, including Krauss.[5] She has also given several notable smaller performances including at Carnegie Hall (with the Grand Ole Opry),[43] on Lifetime Television in a concert of female performers, on the radio show A Prairie Home Companion[44] where she sang two songs not previously recorded on any of her albums, and a performance at the White House attended by then-President Bill Clinton and then-Vice President Al Gore.[45]

受賞暦[編集]

英語版記事「List of awards and nominations received by Alison Krauss」も参照

Alison Krauss has won a record twenty-six Grammy Awards[46] over the course of her career as a solo artist, as a group with Union Station, as a duet with Robert Plant, and as a record producer. This is more than any other female artist and is the third most won by any artist overall.[47] She overtook Aretha Franklin for the most female wins at the 46th Grammy Awards where Krauss won three, bringing her total at the time to seventeen (Franklin won her sixteenth that night), and performed with Sarah McLachlan.[48] The Recording Academy (which presents the Grammy Awards) presented her with a special musical achievement honor in 2005.[49] She has also won 14 International Bluegrass Music Association Awards,[50] 8 Country Music Association Awards,[51][52] 2 Gospel Music Association Awards,[要出典] 2 CMT Music Awards,[53][54][55] 2 Academy of Country Music Awards,[56] and 1 Canadian Country Music Award.[57] Country Music Television ranked Krauss 12th on their "40 Greatest Women of Country Music" list in 2002.[58]

At the 76th Academy Awards in February 2004, where she performed two nominated songs from the Cold Mountain soundtrack, Alison Krauss was chosen by Hollywood shoe designer Stuart Weitzman to wear a pair of $2 million 'Cinderella' sandals with 4½ inch clear glass stiletto heels and two straps adorned with 565 Kwiat diamonds set in platinum. Feeling like a rather unglamorous choice, Krauss said, "When I first heard, I was like, 'What were they thinking?' I have the worst feet of anybody who will be there that night!" In addition to the fairy-tale-inspired shoes, Weitzman outfitted Krauss with a Palm Trēo 600 smartphone, bejeweled with 3,000 clear-and-topaz-colored Swarovski crystals. The shoes were returned, but Krauss kept the crystal-covered phone. Weitzman chose Krauss to show off his fashions at the urging of his daughters, who are fans of Krauss' music.[59][60]

主な音楽作品[編集]

詳細については英語版記事「Alison Krauss discography」を参照

主な映画作品[編集]

出典・脚注[編集]

  1. ^ Leopold, Ted (2009年2月9日). “Plant, Krauss rise with 'Raising Sand' at Grammys”. CNN. http://www.cnn.com/2009/SHOWBIZ/Music/02/08/grammy.night/index.html 2009年7月27日閲覧。 
  2. ^ a b “GAC interview and article by Ronna Rubin for Great American Country June 19, 2006.”. 2006年6月28日閲覧。
  3. ^ “1984 Walnut Valley Championship Archives – All Winners”. Walnut Valley Festival official website. 2007年2月7日閲覧。
  4. ^ a b Interview with Alison Krauss and Dan Tyminski for The Collection on Great American Country, originally broadcast on June 28, 2006. Retrieved 2006-06-28.
  5. ^ a b c Interview with Alison Krauss and Dan Tyminski on GAC Nights for Great American Country originally broadcast on June 27, 2006. Retrieved 2006-06-28.
  6. ^ a b MUSIC; Country, With Twang and Pop for The New York Times by Robbie Wolvier on April 30, 2000. Retrieved 2006-07-08.
  7. ^ New Favorite by Kerry Dexter for Dirty Linen #102 October/November 2002. Retrieved 2006-06-07.
  8. ^ Alison Krauss bio by Stephen Thomas Erlwine for Allmusic, hosted by MTV.com. Retrieved 2006-06-25.
  9. ^ a b c d Alison Krauss CMT bio for CMT.com. Retrieved 2006-06-06.
  10. ^ Now That I've Found You on Rounder Records by Sidney Cox. Retrieved 2006-06-12.
  11. ^ So Long, So Wrong review by George Graham. "The Graham Weekly Album Review #1065" as broadcast on WVIA-FM April 16, 1997. Retrieved 2006-06-12.
  12. ^ "When She Was Bad," originally released September 15, 1997. Twentieth Century Fox and Joss Whedon.
  13. ^ "Entropy," originally released April 30, 2002. Twentieth Century Fox and Joss Whedon.
  14. ^ Candace Asher press release by Candace Asher for CandaceAsher.com from September 2001. Retrieved 2006-06-06.
  15. ^ Rolling Stone: Robert Plant & Alison Krauss Working On "Raising Sand" Follow-Up. Retrieved 2009-07-28.
  16. ^ Phish – Band History. Retrieved 2009-12-10.
  17. ^ O Brother, Why Art Thou So Popular? for BBC News on February 28, 2002. Retrieved 2006-06-25.
  18. ^ a b Interview on NPR Morning Edition with Bob Edwards on February 15, 2002. Hosted here. Retrieved 2006-07-10.
  19. ^ a b AKUS Interview with PBS via the Wayback Machine May 3, 2002. Retrieved 2009-07-28.
  20. ^ a b c Interview on BarnesAndNoble.com August 14, 2001. Retrieved 2006-06-24.
  21. ^ a b Sting, Alison Krauss, Elvis Costello and T Bone Burnett to Perform at The seventy sixth Academy Awards by Toni Thompson for the Academy of Motion Picture Arts and Sciences via the Wayback Machine on February 14, 2004. Retrieved 2009-07-28.
  22. ^ Krauss cultivates bluegrass into crossover success by Neil Curry for CNN on November 16, 1999. Retrieved 2006-06-29.
  23. ^ Krauss comes out on heavy metal for JAM! Music by Jane Stevenson. Retrieved 2006-06-27.
  24. ^ Krauss still hanging on to eclectic style for the Los Angeles Times/Washington Post on October 13, 1997. Retrieved 2006-06-29.
  25. ^ Sexton, Paul (2009年7月22日). “Alison Krauss interview for the release of "Essential Alison Krauss"”. Telegraph (London). http://www.telegraph.co.uk/culture/music/rockandpopfeatures/5887939/Alison-Krauss-interview-for-the-release-of-Essential-Alison-Krauss.html 2009年7月29日閲覧。 
  26. ^ Review of Live for the BBC by Chris Jones. Retrieved 2006-06-15.
  27. ^ a b c Review of Lonely Runs Both Ways for the BBC by Sue Keogh. Retrieved 2006-06-15.
  28. ^ a b Review of Lonely Runs Both Ways for Bluegrass Works by Ben Fitzgerald on 12/13/2006. Retrieved 2006-06-15.
  29. ^ Alison Krauss on FolkMusic. About by Kim Ruehl. Retrieved 2006-06-24.
  30. ^ Note on Krauss producing from Great American Country on May 10, 2006 citing The Tennessean. Retrieved 2006-06-26.
  31. ^ Review of Lonely Runs Both Ways for The Guardian by Adam Sweeting on November 19, 2004. Retrieved 2006-06-15.
  32. ^ Review hosted on Metacritic originally from Blender magazine Jan/Feb 2005. Retrieved 2006-06-15.
  33. ^ Review hosted on Metacritic originally from Q Magazine Sept. 2001 and The Onion AV Club. Retrieved 2006-06-15.
  34. ^ New Favorite by Kerry Dexter from Dirty Linen #102 Oct/Nov 02. Retrieved 2006-06-29.
  35. ^ Sad songs, migraines don't get Alison Krauss down by David Veitch for JAM! Music. Retrieved 2006-06-27.
  36. ^ "Krauss tends bluegrass revival" for JAM! Music by Mary Dickie of the Toronto Sun. Retrieved 2006-06-27.
  37. ^ Review of New Favorite for The Graham Weekly Album Review #1250 by George Graham as broadcast on WVIA-FM 8/18/2001. Retrieved 2006-07-08.
  38. ^ Interview with Krauss from the Alison Krauss + Union Station: Live DVD by Rounder Records released in 2003.
  39. ^ Alison Krauss on Austin City Limits from PBS from 1996 via the Wayback Machine. Retrieved 2009-07-28.
  40. ^ COUNTRY BEAT: Alison Krauss, Wynonna Judd, Dolly Parton ... for MTV.com on September 17, 2001. Retrieved 2006-06-25.
  41. ^ Krauss, Loveless Among Down From The Mountain Headliners for MTV.com on October 17, 2001. Retrieved 2006-06-25.
  42. ^ Down from the Mountain tour by Jim Durden for Tomlin Communications on July 20, 2002. Retrieved 2006-06-25.
  43. ^ Carnegie Hall performance at Great American Country March 1, 2006. Retrieved 2006-06-26.
  44. ^ Program details from Prairie Home Companion on May 1, 2006. Retrieved 2006-06-26.
  45. ^ Alison Krauss at the White House By Marian Leighton Levy at Rounder Records May 18, 1995. Retrieved 2006-06-29.
  46. ^ Alison Krauss' Grammys from Grammys.com. Retrieved 2008-02-11.
  47. ^ Alison Krauss & Union Station Win Three Trophies at Grammy's for Proper Music Distribution on 2/20/06. Retrieved 2006-06-05.
  48. ^ ROUNDER RECORDING ARTIST BECOMES GRAMMY'S MOST-HONORED FEMALE MUSICIAN on Shorefire and the Los Angeles Times by Jen Chapin and Robert Hilburn on February 9, 2004 via the Wayback Machine. Last accessed 2009-07-28.
  49. ^ Recording Academy Honors Krauss, Scruggs, McGraw and the Winans for CMT.com by Edward Morris on 11/8/05. Retrieved 2006-06-07.
  50. ^ Past International Bluegrass Music Association Awards Recipients for IMBA.org. Retrieved 2009-07-28.
  51. ^ Alison Krauss's CMA Awards from CMAAwards.com. Retrieved 2009-07-28.
  52. ^ Alison Krauss and Union Station's CMA Awards from CMAAwards.com. Retrieved 2009-07-28.
  53. ^ 2005 Awards archive from CMT.com. Retrieved 2009-07-28.
  54. ^ 2008 Awards archive from CMT.com. Retrieved July 28, 2009-07-28.
  55. ^ 2009 Awards archive from CMT.com. Retrieved 2009-07-28.
  56. ^ Alison Krauss ACM wins and nominations by acmcountry.com. Retrieved 2009-07-28.
  57. ^ 2000 CCMA Award winners on CCMA.org. Retrieved 2009-07-28.
  58. ^ CMT's 40 Greatest Women of Country Music on CMT.com. Retrieved 2009-07-27.
  59. ^ Lee, Lisa. "'Cinderella' Krauss Tries On Her Slippers." CMT.com. 2004-02-27. 2007-10-31.
  60. ^ "Grammy Award-winner Alison Krauss to carry Swarovski crystal-clad Treo 600 smartphone" by Geekzone.co.nz. Retrieved 2007-11-01.

外部リンク[編集]

ウィキメディア・コモンズには、LION84/作業スペースに関連するカテゴリがあります。
受賞
先代
Patty Griffin 		AMA Album of the Year (artist)
2008
共同統治者 Robert Plant 		次代
Buddy & Julie Miller
先代
The Avett Brothers 		AMA Duo/Group of the Year
2008
共同統治者 Robert Plant 		次代
Buddy & Julie Miller

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